Friday, September 09, 2016

Bastille's Wild World

What a glorious day when we now live in a future with a second Bastille album. That's not hyperbole, as it's been three years since Bad Blood was released and my life was changed forever.

Here's the secret to a Bastille album—because they're so wonderfully dedicated to being whatever genre they want for that song only, the albums grow with each listening. It's usually the second or third time through that it all clicks and you can hear the flow.

The standard version of Wild World is 14 tracks and they're all great. The Complete version—because who are we kidding, there's no way I wasn't going to get every song—is 19 tracks, and the two songs I feel lukewarm about on among those five bonus tracks. Oil on Water and Campus aren't bad songs, but they're not as strong as the others that made the 14 track cut. Way Beyond, Shame, and The Anchor are great and worth getting individually to round out the experience.

Strangely missing from the album is Hangin', which was officially released from the band last year. I had also heard several of the new songs via concert footage or terrible quality audio shares that were floating around Tumblr/YouTube. (Thanks, Stormers!) Snakes has been pre-album release favourite, and I was waiting for it (im)patiently. But at the end of the day, it's Send Them Off! with its badass brass and utterly unapologetic mashup of Othello and The Exorcist that's the one I love the way I love Pompeii.

Wild World is a wild ride through genres, interplay with movie and literary inspirations from Weird Science to a legit true crime tale. It's melancholic joy and gleeful sorrow, political and escapist, a well-crafted balance that was absolutely worth the wait.

I did a lot of living and writing with Bad Blood as a soundtrack, and I am incredibly excited for the stories that will have Wild World as part of theirs.

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